There's something wrong with us.
strangersatthemall:

SCREEN CAPPED IT FOR POSTERITY

strangersatthemall:

SCREEN CAPPED IT FOR POSTERITY

Oops, I left out my favorite:

And by favorite, I mean I would buy this just so I could smash it over the so-called artist’s face. 

And then I would frame the bloody pieces and start my own line of contemporary art called “The Bloody Remains of the Dying Art of Art.”

No. This is not art. No.

paint on FOUND porcelain

paint on FOUND china

paint on INKJET PRINT and FOUND frame

mixed media on FOUND ceramic

sophiathomas:

Chad Wys - Hang, 2011

So I go to this guy’s site and it says ‘paint on found print and frame.’
‘Found print and frame’
Brah, you mean to tell me you went thrift-shop diving, stenciled some letters on someone else’s painting, and called that shit your art? 
I have more respect for the guy who stared at a piece of paper for 1000 hours.

sophiathomas:

Chad Wys - Hang, 2011

So I go to this guy’s site and it says ‘paint on found print and frame.’

Found print and frame’

Brah, you mean to tell me you went thrift-shop diving, stenciled some letters on someone else’s painting, and called that shit your art? 

I have more respect for the guy who stared at a piece of paper for 1000 hours.

currentinspiration:

1,000 hours of staring (1992-1997) by Tom Friedman, a piece of paper stared at by the artist for 1,000 hours.

Well, in that case…

BEHOLD! I have made art!

currentinspiration:

1,000 hours of staring (1992-1997) by Tom Friedman,
a piece of paper stared at by the artist for 1,000 hours.

Well, in that case…

BEHOLD! I have made art!

sarahnb:

Notice by David Shrigley
lukejohnhall:

David Shrigley
Enamel paint on steel, 35 ½ x 28 inches.

lukejohnhall:

David Shrigley

Enamel paint on steel, 35 ½ x 28 inches.

aricherconcept:

Gone to Hell | David Shrigley

aricherconcept:

Gone to Hell | David Shrigley